20,093 Free Images of Hand Fan

etchings in the yale center for british artetchinghand-coloredyale center for british artisaac cruikshankjames gillrayrichard newton
Anticipation - Ways & Means - or - Buonaparte Really Taken!!, Isaac Cruikshank, 1792
etchings in the yale center for british artisaac cruikshank
Satans, Return from Earth, Discovered in Council - With Belzebub and Belial -- A Sketch after Fuseli, John Cawse, 1799
etchings in the yale center for british artjohn cawse
-Gentle Manners, with Affections Mild, in Wit a Man, Simplicity a Child, James Gillray, 1798
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Un Diplomatique, Settl'ing Affairs at Stevens's (Baron Haslang, Bavarian Minister), James Gillray, 1794
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The Friendly Agent, James Gillray, 1787
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Glaucus and Scylla or the Monster in Full Cry, Isaac Cruikshank, 1790
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Louis Dethron'd; or Hell Broke Loose in Paris, Richard Newton, 1792
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Search-Night;- or - State-Watchmen, Mistaking Honest-Men for Conspirators - Vide, State Arrests, James Gillray, 1798
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The Ghost's or the Taylor Befrited..., A German Story, James Gillray, circa 1790
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The Pitt Fall, James Gillray, circa 1785
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A Peep Into Saldanha Bay, or Dutch Perfidy Rewarded, Isaac Cruikshank, 1796
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The High German Method of Destroying Vermin at Rat-Stadt, James Gillray, 1799
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The Auckward Squad, Isaac Cruikshank, 1794
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The Sailors and the Pounded Ass, Richard Newton, 1796
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The Gordon-Knot, - or - The Bonny - Duchess Hunting the Bedfordshire Bull, James Gillray, 1797
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Drawing for Twelfth-Cake at St. Annes Hill!!, Isaac Cruikshank, 1799
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Evidence to Character; - Being, a Portrait of a Traitor by His Friends and by Himself, James Gillray, 1798
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My Grandmother; Alias the Jersey Jig, Alias the Rival Widows, Isaac Cruikshank, 1794
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Patriotic Regeneration, - Viz - Parliament Refoun'd a la Francoise, - that is, - Honest Men (i.e. Opposition) in the Seat of Justice. Vide, Carmaguol Expectations, James Gillray, 1795
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The Monster Broke Loose - or - A Peep into the Shakespeare - Gallery, James Gillray, 1791
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The Nuptial-Bower; "To the Nuptial-Bower he led her Blushing Like the Morn with the Evil-one, Peeping at the Charms of Eden." (from Milton), James Gillray, 1797
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Grandpappa in his Glory!!!, Isaac Cruikshank, 1796
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The Royal Society, James Gillray, 1786
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A New Prop for a Rickety Stool, Isaac Cruikshank, 1798
etchings in the yale center for british artisaac cruikshank
False Liberty Rejected or Fraternizing and Equalizing Principles Discarded No More Coalitions, No More French Cut Throats, Isaac Cruikshank, 1793
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The Maid of Bath, or 'Mac' in her Teens, Isaac Cruikshank, 1792
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Corpor(e)al (!) Stamina., James Gillray, 1801
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Arming in the Defence of the French Princes or the Parting of Hector and Andromache, Richard Newton, 1792
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Presentation of the Mahometan Credentials - or - The Final Resource of French Atheists (from: Caricature, vol. 2), James Gillray, 1793
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Horrors of the Irish-Union; - Botheration of Poor Pat! - or - A Whisper Across the Channel (from: Caricature, vol. 1), James Gillray, 1798
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A Block for the Wigs - or, The New State Whirligig, James Gillray, 1783
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Prussian Bobadils, Returning to Berlin!!!!!!!, Richard Newton, 1792
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Strong Symptoms of Loyalty, Isaac Cruikshank, 1800
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Whims of the Moment or the Bedford Level!!, Isaac Cruikshank, 1795
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No Reform, No Reform, Isaac Cruikshank, 1795
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A Sphere, Projecting against a Plane ---, James Gillray, 1792
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A Shot at a Cock; or, An Alarm of Assassination, Richard Newton, 1792
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The Cryer, Alias the Bell Weather, Isaac Cruikshank, 1797
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A Deputation from one of the Popular Societies of France, Endeavouring to Persuade John Bull that he can do better Without a Head than with one!!, Isaac Cruikshank, 1794
etchings in the yale center for british artisaac cruikshank
A Specimen of Light Horsemanship, Isaac Cruikshank, 1795
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The Bridal-Night, James Gillray, 1797
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Crumbs of Comfort, - or - Old-Orthodox Restoring Consolation to His Fallen Children, James Gillray, 1782
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The Doctor Indulged with his Favorite Scene ---, James Gillray, circa 1790
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Alessandro Sanquirico - Luogo destinato ai Sepolcri dei re di Danimarca (set design for the opera 'Amleto' by Mercadante, 1822) (cropped), Alessandro Sanquirico, circa 1827
scenographies by alessandro sanquiricoteatro alla scala scenic design
The Pot calling the Kettle Black A - Or Two of a Trade can never Agree, Isaac Cruikshank, 1791
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How to Gammon the Deep, Ones or the Way to Overturn a Coach Ac(c)ording to Act of P(ar)l(ia)m(en)t (from: Caricature, vol. 4), Isaac Cruikshank, 1794
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A Visit to the R---l Cole Pit, Richard Newton, 1791
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The Fruition of Nantes or the Vision Interpreted, Isaac Cruikshank, 1791
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La Derniere Resource; - or - Van-Buchells, James Gillray, 1791
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Birds of a Feather, Flock Together - or Bond Street Loungers Attending the Examination of Their Fellow Scarecrows!, Isaac Cruikshank, 1800
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A Flight of Parsons, Isaac Cruikshank, 1796
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An Astonishing Paragraph, Richard Newton, 1791
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A Brace of Blessings, Isaac Cruikshank, 1796
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Pull Devil - Pull Parson, Richard Newton, 1795
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The Corporation's Visit to their Brother in Smithfield or the Hog's Feast on Being Sworn-in, Isaac Cruikshank, 1790
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The Republican Rattle-Snake Fascinating the Bedford-Squirrel ---, James Gillray, 1795
etchings in the yale center for british artjames gillray
Bonus - Melior - Optimus, or the Devil's The Best of the Bunch, James Gillray, 1783
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The Sick Prince, James Gillray, 1787
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The Dwarf and The Giant or, The Strong Lad of Brighton taking off the Princes Chum!!, Isaac Cruikshank, 1795
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The U---'s Introduction at St. J(ame)s's with a New Suit of Irish Manufacture, Isaac Cruikshank, 1787
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The Antiquities of Malmsbury, Isaac Cruikshank, 1792
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Pity The Sorrows of a Poor Old Man, Vide, Scene in Bloomsbury Square, James Gillray, 1796
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Preparing for Action or an English Man of War engaging Two Dutch Doggers, Isaac Cruikshank, 1793
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Shakespeare's Prophecy, the Last Act by One in the Tempest, or the Jack Daws in Borrowed Feathers (from: Caricature, vol. 3), Isaac Cruikshank, 1795
etchings in the yale center for british artisaac cruikshank
The Rival Pigs, Isaac Cruikshank, 1795
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The - Battle Royal, or Who Wears the Breeches, James Gillray, 1784
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The Prodigal Son, James Gillray, 1787
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The Slough of Despond----; Vide - The Patriots Progress, James Gillray, 1793
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Polonius, The Tallest, Fittest, Properest, Man to Walk before the King!!, Isaac Cruikshank, 1795
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The Feast of Reason, & the Flow of Soul, - ie: - The Wits of the Age, Setting the Table in a Roar, James Gillray, 1797
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Galic Perfidy, or the National Troops Attachment to their General after their Defeat at Tournay, Isaac Cruikshank, 1792
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Gloria Mundi, or - The Devil Addressing the Sun, James Gillray, 1782
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Buonaparte at Rome Giving Audience in State, Isaac Cruikshank, 1797
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The Rape of Helen, Isaac Cruikshank, 1792
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The Finishing Touch, James Gillray, 1791
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Frith the Madman Hurling Treason at the King, Isaac Cruikshank, 1790
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Getting the Length of the Duchess's Foot, Isaac Cruikshank, 1791
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The Dutch in an Uproar or the Batavian Republic Crying for Winter, Isaac Cruikshank, 1797
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The Modern Gulliver Removing the P(a)rl(iamen)t of Lilliput, Isaac Cruikshank, 1800
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Petition Mongers in Full Cry to St. Stephens beware of Wolves in Sheeps Clo(a)thing, Isaac Cruikshank, 1795
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The Legacy, James Gillray, 1786
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Billy & Harry in Their Glory or a Great Man Kicked Out of Place, Isaac Cruikshank, 1798
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A Section of a Magnificent & Superb Water Closet ---, James Gillray, circa 1790
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Louis XVI Taking Leave of His Wife and Family, James Gillray, 1793
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The Dutch Divisions, James Gillray, 1787
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The Moment of Reflection or a Tale for Future Times!!!, Isaac Cruikshank, 1796
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Jack A Both Sides!, James Gillray, 1783
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Les Trois Magots, James Gillray, 1791
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The Salute, - Vide, The Parade, James Gillray, 1797
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Political Sparring, for the Amusement of English Spanish French and Dutch Masters and Misses (from: Caricature, vol. 4), Isaac Cruikshank, 1790
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The Buck & the Goose, Isaac Cruikshank, 1801
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The Grand-Signior Retiring, James Gillray, 1796
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Oysters. Oysters. I Us'd for to Cry, When the Wind Blew so Hard that my Boat could not Ply, Isaac Cruikshank, 1792
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The Gilpin Whigs Return to Rochester without their Candidate, Isaac Cruikshank, circa 1790
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Pylades & Orestes (Stadtholder & His Secretary), James Gillray, 1797
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A Recent Escape, Isaac Cruikshank, 1795
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The Irish Howl or the Catholics in Fitz!, Isaac Cruikshank, 1795
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Scene Le Vrog House, James Gillray, 1782
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The Introduction, James Gillray, 1791
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Retaliation!!!, Richard Newton, 1797
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